Cindy Crawford exudes glamor in a figure-hugging black cutout dress

Cindy Crawford exudes glamor in a figure-hugging black cutout dress

Cindy Crawford ensured all eyes were on her on Saturday as she attended the 10 Magazine x 886 by The Royal Mint Party at Claridge’s Artspace.

The supermodel, 57, looked the picture of sophistication in a form-fitting black midi dress with long sleeves.

The elegant number showed off her long legs and boasted diamond-shaped cutouts down the side for an extra glimpse of skin.

Cindy added an extra few inches of height to her statuesque frame with a pair of strappy black high heels.

She completed her stunning look by toting a shiny black clutch and sporting a full face of bronzed make-up, including a slick of pink lipgloss.

She posed for a photo alongside editor-in-chief of British Vogue, Edward Enninful, and the fashion editor behind 10 Magazine, Sophia Neophitou.

Her appearance at the event comes after she recently caused controversy with her very airbrushed cover of Vogue, alongside fellow supermodels Naomi Campbell, Christy Turlington and Linda Evangelista.

The Nineties greats came together for a joint issue cover for Vogue and the British Vogue, which initially delighted fashion lovers this month.

However Alexandra Shulman, who edited British Vogue from 1992 to 2017, argued in the Mail on Sunday that the publication turned the stars into ‘cartoon versions’ of themselves.

She wrote: ‘Why on earth did they have to be turned into a plasticised version of themselves,

dressed in gloomy black widow outfits and run through computer retouching to emerge as a cartoon version of what a glamorous older woman might be?’

Many on social media were quick to agree with her, with one person commenting on Instagram:

‘I think a fairly dreadful representation of these beautiful women in their prime and what a sorry excuse not to show them in all their middle aged glory.

‘Let’s be honest Vogue is not half as aspirational as it used to be!’

Another wrote: ‘When I saw this cover it felt a bit clinical and cold. It would’ve been nice to see them shown as a bit more natural and relatable, a bit more human.’